Saturday, January 13, 2018

Fuzzy Ridiculousness

Bad writing is epidemic. Even, alas, in the pages of the Washington Post. In an otherwise interesting article, "How to make an innocent client plead guilty" explaining why 95% of all defendants - including most innocents - accept plea deals, Jeffrey D. Stein writes:
...the prosecution is not obligated to reveal its witnesses before trial. You and your investigator do your best to assess whether the case rests on unreliable eyewitnesses, faulty assumptions or witnesses with reasons to fabricate an account, which you cannot fully explore because — remember — the prosecution has not even disclosed who they are.

Why not ask your client for leads? That might work if the person were guilty. Innocent clients are generally the least helpful, because they often cannot tell you what they don't know.
They "often" cannot tell you what they don't know, eh? So sometimes they can tell you what they don't know? That "often" snuck into the lazy, unconscious first draft, and neither writer nor editor properly went over final copy to remove a word that's not only useless but logically ridiculous ("generally" in that same sentence is also useless - a mere placeholder - though not ridiculous). This all defies #3 of my Six Writing Tips:
Now, at this point, pass through looking to relentlessly cut every single unnecessary word (as if you were aiming to trim it to fit an arbitrary word count). You need to do this as dispassionately as possible, because we all have habits of using certain extra words, so they can seem perfectly ok at your first glance. But you'll find that if you remove them, the writing gets sleek and easier for people to read.

Better:

Now, at this point, pass through looking to relentlessly cut cutting every single unnecessary word (as if you were aiming to trim it to fit an arbitrary word count). You need to Do this as dispassionately as possible, because we all have habits of using certain extra words, so they can seem perfectly ok at your first glance. But you'll find that if you remove them, the writing gets sleek and easier for people to read.
I'm not nitpicking. Such flubs may not consciously register for all readers, but the aggregated fuzziness (and fuzzy ridiculousness) makes writing less readable and less persuasive. It's like shooting thumbtacks out of the back of your car to put off your pursuers, when the pursuers are the audience trying to read your stuff. The impression gradually arises that this is bulky, non-pre-digested stuff to be grimly endured.


And, take it from me: even paying close attention to such details, writers still risk losing readers to an impression of grim, bulky unreadability if they don't diligently grease the chute, pre-masticate the thoughts, and keep it all simple, stripped-down, and as unrelentingly entertaining as a kid's birthday party magic show. 21st century writers must beg and cajole readers to keep their eyes scanning left/right.

Wonder why almost no one talks about this Slog, or links to it, or comments on it? It's because there's almost no one reading, because I post complex, half-baked material requiring ripe digestion via multiple re-readings (also I jump wildly between topics, ensuring there's always something of disinterest for absolutely everyone). Unavoidably contrarian, I'm writing like Hegel in the age of Gladwell.


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