Age 7 or 8.
Once again: Poor draftsmanship, high viscerality.
Even an idiot can spot the poor draftsmanship. But not everyone can consciously detect, much less appreciate, viscerality (and, alas, no one ever did).
If you devote attention to that less obvious part, you may notice that apparently poor draftsmanship actually serves the visceral purpose. But those unaware of that purpose lack the key to unlocking intention. It's like viewing a multidimensional thing flatly. No coming and going; just some static something.
Try to self-edit out the stain and tear at the base of the tree, and the fading near the right edge of the page (I wish I had the Photoshop skills to fix it).
Showing posts with label Early Work. Show all posts
Showing posts with label Early Work. Show all posts
Monday, April 18, 2022
Thursday, April 14, 2022
The Burden of Exuberance
A friend writes, in response to my recent posting "Early Work: Redux"
The Diagnosis
As I wrote, nearly everyone's depressed (“normality” at this point means merely semi-curdled), and depression isn't a deficiency of joie de vivre, but a deliberate rejection of it. People resist it in their world and in themselves (that's why they're depressed!), so it's only natural that they'd resist it in you, as well!The Prognosis
First and foremost, don't expect damaged people to self-repair to accommodate you. They're not treating you any worse than they treat themselves. They're sour, bored, and irritated. They can't extricate themselves from the mud, so don't expect them to offer you sunbeams. Keep stoking your modest commitment to be who and what you are, just...because (more on that at the very end).
The world is not set up to validate you. We are 6,989,500,000 humans doing nothing but desperately seeking validation 24/7, and 10,000,000 who should know better, and 500,000 who are blithely enjoying their existence without expecting much. If you want to dive into the madness, then validate others. But in any case, step down into the 500,000 by being complete within yourself.
Here's one of the 500,000. Meet Zack. Zack's the guy who noticed the subway bomber and called it in, singlehandedly rescuing New York City yesterday:
I get the feeling Zack's not a billionaire. Yet Zack says "the life is nice" (so what the hell is everybody else's problem??). If you're even partially alive, hearing him pronounce this will send a small jolt of exhilaration through you. That's what exuberance can do. That's what you're here to provide. And note that Zack won't get a parade. He's lucky he got a clip on Twitter. But that's ok! Zack lives a nice life! And it's 100% a product of his framing!
Take Your Victory
To anyone viewing with clear perspective, you're doing it right. Seizing the day and living with joie de vivre. The people you're irritating are doing it all wrong, squandering precious alive time by engineering tedium, boredom and numbness for themselves.
This is not a world where the Mistaken appreciate the Correct, but know that just by being here, steadfastly embracing the world, you are 1. living an incomparably better life, and 2. raising the average, brightening it all just a bit, which has an effect. Every action ripples forever into the future. You are The Ancestor of everything that follows. You and Zack and a few others push the train. Bored numb people just trudge behind it, complaining.
Don't be greedy! It's enough to live well in a mental space that's non-horrible and torture-free! Why would you also expect appreciation and good vibes from people who hate their lives and world? It's unrealistic to expect positive vibes from negative people…and most are negative.
To get an idea of just how negative they are, listen carefully on New Years’ Eve, and try to find someone describing the previous year as anything but completely awful. Me, I've never heard a positive word in 59 years of New Year’s Eves. Every year SUCKED for nearly everyone, as they luxuriated in delicious free oxygen and life-giving sunlight here on the only colorful, comfortable speck of life in an infinite cold and deadly void (now further upgraded - as if antibiotics weren’t enough! - with magic glass rectangles containing the totality of human knowledge, entertainment, and communications in our pocket).
That's how bad it is out there, and how bad it is in their heads. Don't expect much from them! You've won! Enjoy your victory!
Expunge Your Neediness
All that said, there's one thing to work on. Meditate or do Tai Chi or yoga or just lots of exercise to expunge any pushy neediness. If your exuberance is stress-based, you're like a stiff wind containing sand grains. That would explain why people feel sandblasted by your presence.
Everyone's situation is different. Different sand quantities borne by their wind; different degrees of fretful clench. But, spoiler alert, if you relax all the way (I've been meditating for 50 years, and I was a prodigy at it as a child), it still won't fix the problem you describe. You’ll find that it’s no more welcome to blind people with clear bright light than to blast them with sand. Again: the problem's on their end, not your's. They're not here to appreciate you or even fully see you. They're here to seek appreciation while staring in the mirror. Which is fine! To each their own!
But meditation, etc., isn’t wasted. It's helpful in all sorts of ways. For one thing, it increases equanimity, which is the antidote to your predicament. Be aware, however, that the clarity and bliss of meditation can further stoke your exuberance and joie de vivre. But, at this point (as they emerge even more peevish from their COVID ordeal) you know what? Screw 'em!
People don't collapse into glum dullness if they have the least appetite for life and gusto. Grown-ups reach that point by actively repelling gusto (kids - at least most of them - haven't learned that trick yet). If you represent life and gusto, how could you not be rejected by people who define themselves by this very rejection?
Charisma
Exuberant people are nice people. Earnest people. They don't like to manipulate. And charisma - persuading people to like you - feels manipulative.
I realized, after a few years of very bizarre social reactions, that, in my eagerness to swear off manipulation, I'd completely dropped my charisma. "Naturalness" seemed like a more appropriate approach than crafty enchantment. I'm not a con man; not a schemer; not a "player", you know?
Don't do this! The world runs on charisma! People need it! Without it, you're making them uncomfortable; creating stressful ripples in the world. You owe it to them to force yourself to make them like you - to sell yourself, baby! - even though you'd prefer a more organic appoach. So turn the faculty back on...a little. A minor correction!
I figured this out when I found myself at an airport counter needing to do some fast talking and create rapport with a stranger who had the power to either help me or absolutely ruin my week. My charisma powered itself on, all by itself, and I suddenly remembered how good at it I actually am.
I have an aversion to using this faculty, so it turns on only rarely, in critical moments. But I hadn't left the other person any the worse. I hadn't "taken advantage". She was glad to have met me! I seemed to have given her a lift - not something easily achieved with raw exuberance!
Charisma makes your intensity feel personal; tuned specifically for them. It seems, from their perspective, less like a random spray. Charisma is a precise nozzle for a gushing flow of exuberance. Use your nozzle!
Artsy Talk
Here's choreographer Martha Graham's advice to younger choreographer Agnes De Mille. They're discussing art and creativity, but those things are closely related to the topic at hand. Creativity flows out of exuberance!
Related Postings:
Filtering the Zombie Army
Taking Notes
Note to newcomers: Strewn above you'll find many links to previous Slog postings. Each explains, in greater depth, a concept or idea I didn't have space to fully flesh out here. I don't want to write 150 page treatises reexplaining everything every time!
Are those links a lot to read? You bet! It was also a lot to write! But I try to offer a breadcrumb trail in case you want to follow up on ideas, especially the more counterintuitive ones.
It's up to you, of course, whether to launch into a clicking frenzy. I don't expect everyone to be super-into every posting. If you suspect I'm full of crap on something, but want to give me a chance...click! If something whets your appetite, and you'd like to hear more...click! If something has the ring of truth but you don't quite grok it...click! But if a posting strikes you as eye-rolling yadda yadda, I highly recommend Spelling Bee for a more pleasant time waster!
I honestly believe the insights are insightful and the conclusions solid, so it's worth taking time to follow the breadcrumb trail. That's why I took the (immense) trouble to build it for you! But I certainly won't be insulted if you disagree!
However, I want you to understand that I'm not linking pro forma - i.e. because my teacher in Blogging 101 said to sprinkle them liberally. I add them thoughtfully, in places where I recognize that I haven't fully explained or supported my point.
Hey! I also have that exuberance in my personality. I get my energy from playing with kids. But the kids who love me as little kids get weirded out by an grandma who just wants to play. Then they sadly avoid me and won’t give me a smile or a hug. The people who are around me the most get really tired of me or begin to really dislike me. Where does this come from I wonder?
As I wrote, nearly everyone's depressed (“normality” at this point means merely semi-curdled), and depression isn't a deficiency of joie de vivre, but a deliberate rejection of it. People resist it in their world and in themselves (that's why they're depressed!), so it's only natural that they'd resist it in you, as well!
More on depression here (including further links).
First and foremost, don't expect damaged people to self-repair to accommodate you. They're not treating you any worse than they treat themselves. They're sour, bored, and irritated. They can't extricate themselves from the mud, so don't expect them to offer you sunbeams. Keep stoking your modest commitment to be who and what you are, just...because (more on that at the very end).
The world is not set up to validate you. We are 6,989,500,000 humans doing nothing but desperately seeking validation 24/7, and 10,000,000 who should know better, and 500,000 who are blithely enjoying their existence without expecting much. If you want to dive into the madness, then validate others. But in any case, step down into the 500,000 by being complete within yourself.
Here's one of the 500,000. Meet Zack. Zack's the guy who noticed the subway bomber and called it in, singlehandedly rescuing New York City yesterday:
— Samantha Zirkin (@SamanthaZirkin) April 13, 2022
To anyone viewing with clear perspective, you're doing it right. Seizing the day and living with joie de vivre. The people you're irritating are doing it all wrong, squandering precious alive time by engineering tedium, boredom and numbness for themselves.
This is not a world where the Mistaken appreciate the Correct, but know that just by being here, steadfastly embracing the world, you are 1. living an incomparably better life, and 2. raising the average, brightening it all just a bit, which has an effect. Every action ripples forever into the future. You are The Ancestor of everything that follows. You and Zack and a few others push the train. Bored numb people just trudge behind it, complaining.
Don't be greedy! It's enough to live well in a mental space that's non-horrible and torture-free! Why would you also expect appreciation and good vibes from people who hate their lives and world? It's unrealistic to expect positive vibes from negative people…and most are negative.
To get an idea of just how negative they are, listen carefully on New Years’ Eve, and try to find someone describing the previous year as anything but completely awful. Me, I've never heard a positive word in 59 years of New Year’s Eves. Every year SUCKED for nearly everyone, as they luxuriated in delicious free oxygen and life-giving sunlight here on the only colorful, comfortable speck of life in an infinite cold and deadly void (now further upgraded - as if antibiotics weren’t enough! - with magic glass rectangles containing the totality of human knowledge, entertainment, and communications in our pocket).
That's how bad it is out there, and how bad it is in their heads. Don't expect much from them! You've won! Enjoy your victory!
All that said, there's one thing to work on. Meditate or do Tai Chi or yoga or just lots of exercise to expunge any pushy neediness. If your exuberance is stress-based, you're like a stiff wind containing sand grains. That would explain why people feel sandblasted by your presence.
This is the meditation practice I do (ignore the rest of the web site). It's the simplest, most stripped down, non-dogmatic practice I've ever found.I've always recognized an anxiety at my core driving me to try too hard (plus residual pain from how things have gone). It's one reason I keep returning to spiritual practice. I need to periodically unclench that core and sweep the pain. I worry that my intensity might otherwise propel anxiety and pain outward. I’m not here to make things worse for people!
Everyone's situation is different. Different sand quantities borne by their wind; different degrees of fretful clench. But, spoiler alert, if you relax all the way (I've been meditating for 50 years, and I was a prodigy at it as a child), it still won't fix the problem you describe. You’ll find that it’s no more welcome to blind people with clear bright light than to blast them with sand. Again: the problem's on their end, not your's. They're not here to appreciate you or even fully see you. They're here to seek appreciation while staring in the mirror. Which is fine! To each their own!
But meditation, etc., isn’t wasted. It's helpful in all sorts of ways. For one thing, it increases equanimity, which is the antidote to your predicament. Be aware, however, that the clarity and bliss of meditation can further stoke your exuberance and joie de vivre. But, at this point (as they emerge even more peevish from their COVID ordeal) you know what? Screw 'em!
People don't collapse into glum dullness if they have the least appetite for life and gusto. Grown-ups reach that point by actively repelling gusto (kids - at least most of them - haven't learned that trick yet). If you represent life and gusto, how could you not be rejected by people who define themselves by this very rejection?
Exuberant people are nice people. Earnest people. They don't like to manipulate. And charisma - persuading people to like you - feels manipulative.
I realized, after a few years of very bizarre social reactions, that, in my eagerness to swear off manipulation, I'd completely dropped my charisma. "Naturalness" seemed like a more appropriate approach than crafty enchantment. I'm not a con man; not a schemer; not a "player", you know?
Don't do this! The world runs on charisma! People need it! Without it, you're making them uncomfortable; creating stressful ripples in the world. You owe it to them to force yourself to make them like you - to sell yourself, baby! - even though you'd prefer a more organic appoach. So turn the faculty back on...a little. A minor correction!
I figured this out when I found myself at an airport counter needing to do some fast talking and create rapport with a stranger who had the power to either help me or absolutely ruin my week. My charisma powered itself on, all by itself, and I suddenly remembered how good at it I actually am.
I have an aversion to using this faculty, so it turns on only rarely, in critical moments. But I hadn't left the other person any the worse. I hadn't "taken advantage". She was glad to have met me! I seemed to have given her a lift - not something easily achieved with raw exuberance!
Charisma makes your intensity feel personal; tuned specifically for them. It seems, from their perspective, less like a random spray. Charisma is a precise nozzle for a gushing flow of exuberance. Use your nozzle!
Here's choreographer Martha Graham's advice to younger choreographer Agnes De Mille. They're discussing art and creativity, but those things are closely related to the topic at hand. Creativity flows out of exuberance!
The greatest thing she ever said to me was in 1943 after the opening of Oklahoma!, when I suddenly had unexpected, flamboyant success for a work I thought was only fairly good, after years of neglect for work I thought was fine. I was bewildered and worried that my entire scale of values was untrustworthy. I talked to Martha. I remember the conversation well. It was in a Schrafft’s restaurant over a soda. I confessed that I had a burning desire to be excellent, but no faith that I could be.
Martha said to me, very quietly: “There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open. As for you, Agnes, you have so far used about one-third of your talent.”
“But,” I said, “when I see my work I take for granted what other people value in it. I see only its ineptitude, inorganic flaws, and crudities. I am not pleased or satisfied.”
“No artist is pleased.”
“But then there is no satisfaction?”
“No satisfaction whatever at any time,” she cried out passionately. “There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”
Related Postings:
Filtering the Zombie Army
Taking Notes
Note to newcomers: Strewn above you'll find many links to previous Slog postings. Each explains, in greater depth, a concept or idea I didn't have space to fully flesh out here. I don't want to write 150 page treatises reexplaining everything every time!
Are those links a lot to read? You bet! It was also a lot to write! But I try to offer a breadcrumb trail in case you want to follow up on ideas, especially the more counterintuitive ones.
It's up to you, of course, whether to launch into a clicking frenzy. I don't expect everyone to be super-into every posting. If you suspect I'm full of crap on something, but want to give me a chance...click! If something whets your appetite, and you'd like to hear more...click! If something has the ring of truth but you don't quite grok it...click! But if a posting strikes you as eye-rolling yadda yadda, I highly recommend Spelling Bee for a more pleasant time waster!
I honestly believe the insights are insightful and the conclusions solid, so it's worth taking time to follow the breadcrumb trail. That's why I took the (immense) trouble to build it for you! But I certainly won't be insulted if you disagree!
However, I want you to understand that I'm not linking pro forma - i.e. because my teacher in Blogging 101 said to sprinkle them liberally. I add them thoughtfully, in places where I recognize that I haven't fully explained or supported my point.
The beauty of the web is the ability to create deeper structures and map it all magically together. So, unlike reading a book, relief is only a click away. And unlike writing a book, I have limitless ability to digress, parenthesize, and recount stories pertaining to a given point, all without interrupting the flow.
It's a deep rabbit hole, I know. But I tried my very best to make it worth your attention. Happy diving!
It's a deep rabbit hole, I know. But I tried my very best to make it worth your attention. Happy diving!
Tuesday, April 12, 2022
Early Work: Redux
A commenter to one of the recent childhood postings described the series as “sentimental.” I replied:
All the rest, I'd forgotten. I did not record the full frostiness of my teachers' reactions. I do remember cheekily amending my teacher's Thanksgiving note to my parents - and the gut-punched feeling that prompted it - but I'd always assumed I'd overreacted. I forgot how tart it really was. I'd forgotten, too, that my stuff was garnering Cs. I'd remembered Bs. But, no. Jesus. Cs.
So it was worse than I'd remembered. I've been severely underestimated all my life, but I thought it hadn’t gotten bad until much later. I figured my youthful cuteness had shielded me a bit. I recall my early teachers with visceral dread, but always figured I was over-sensitive. Now I see that I wasn't, and I admire his perseverance. Especially so because he was sensitive.
He had no idea how good his stuff was. I've often noted on this Slog that I was better, sharper, keener, clearer as a child, and that my goofy, stumbling adulthood has been a spotty effort to avoid embarrassing his legacy. But I didn't imagine I was actually producing worthy stuff back then. I knew it was special - that I was putting a certain distinctive spin on the ball - but never imagined it was actually any good!
I'm particularly surprised by the artwork. I was deemed to have zero artistic talent. I agreed with this, myself, at the time, recognizing that my output lacked the meticulous precision of more talented children.
But the talented children couldn't convey visceral impressions of horror or alarm or heat or unbridled exuberance. As an adult, I understand that viscerality is the whole point, far more so than fine points of careful draftsmanship. "Neatness" scores points only in elementary schools. But, alas, I was stuck in elementary school.
The teachers couldn't fully ignore my ability to fluently string words together, because there was precision there. So there was talk of how I'd become a writer. But even that praise was oddly backhanded, e.g. "I think we have a writer of sorts in our midst." C'mon, lady! Maybe go hog-wild and make it just "writer," period! Give the kid some inertia!
My impression of mediocrity has stuck with me to this day. And now that I'm actually looking at this stuff, I realize that I wasn't just showing potential. I was legit better then than now.
I lacked adult experience and skills and discipline, but the level of invested care - and the palpable result of that care in the output - was something I can't match now, as I painstakingly ply my various pursuits. I'll admit that I get good results most of the time now, but what you see on the page is a pittance compared to the humungous effort (see the video in that last link!). As a kid, I was far more efficient. 95% of my effort found its way into the result. Now it's more like 1%. These days, I shovel planets into building a hill, and take satisfaction in having conjured a righteous hill. Back then, it was planets in/planets out. No dilution. Lossless!
My superpower was exuberance. Unbridled exuberance, which throughout my youth was assessed as obnoxiousness, pushiness, and mania, among less polite terms. It didn't play well in a world packed with dreary, grim zombies. The soundtrack of Earth is Depeche Mode, while I’ve been bopping around to fun Ska. Having intruded with joyful exuberance, I've drawn perpetual fire as The Thing That Doesn't Belong. In a world of depressives, the last thing anyone wants is a compassionate, infectious offering of unbridled enthusiasm. Depression isn't a tragic deficiency of all that. It's a defiant recoiling from it. From me.
I once wrote a rebuke, 57 years in the making, to all those who've sneered at my exuberance. I made the case that it's not a question of my being manic, but of everyone else being sluggish. To me, they're on antidepressants (or ought to be), and frame their lives as a tedious grind. So bored and boring that anything interesting arising gets boiled, evaporated, and desiccated by their implacable numb ennui. As the persistent lively bit, I'm often construed to be the problem.
I still retain some lively exuberance, but not much. I was broken by age 12, and now I see why. It's not that I was sensitive, after all. It's that the beatdowns had commenced early, and support was sparse and grudging. Bearable for a grown-up; tough for a kid.
Age 4
Age 7
Age 8
By age 14, you can see that my lights had gone out a bit, my eyes reserving more than they’re offering: And, flashing forward to my touring musician days (age 26), I'd puckered into a jaded leering vampire with gaping larynx, deep eye bags, and "go fuck yourself" haircut:
34 years later, I seem an ashen husk, but proudly so.
I once described what I was like by the time I hit junior high:
Fortunately, I course-corrected. At that juncture, something triggered inside, steering me toward yoga and meditation. I was too young to take classes or find gurus, so, as recounted in the same posting linked above, I devised my own spiritual practice, with unexpectedly transcendental results.
Then (also described in that posting) I eventually lost touch with those practices - and those results - for a long while, and my life fell apart (it's worse to know and to forget than never to have known), leading to a highly successful suicide in my mid-twenties which granted another reprieve. Another reset.
And finally there was, sigh, Chowhound. A few years in, I resumed - out of sheer desperation and deep survival instinct - my old yoga/meditation practice, engaging reset/reprieve #3. The stress of the final year, followed by my year at CNET, working for a sadistic and deranged boss, challenged even impregnable peace. There are pain levels able to penetrate the highest opium dosage.
Then I popped out of Chowhound and CNET into blank white space. A decade was a long time to have lost. Friendships don't easily resume. I was not remembered as a serious writer; just a zany food-obsessed musician. Having not touched my trombone in many years, I'd lost my ability to make even a sound. The gazillion journalists and media types who'd counted on me for pithy quotes on food news quit calling en masse, via a flocking process I still don't fathom. I wrote about it here:
All doors shut in my face, so I spent years creating an app packed with every iota of my food knowledge and offering savvy, pithy guidance for approaching restaurants of most every cuisine. A few dozen people bought it. The hundreds of journalists who'd considered me a wizard (and/or an influence) completely ignored it (all but John Thorne).
I was ok through all this. Finally wise to the perils of dropping spiritual practices, I'd kept them up, so inner peace deflected any pain. So, again, I'm not offering this as bitter complaint. But the oddness of my experience did leave me curious. My life had made little sense. I almost wished I were paranoid, because a world deliberately scheming against me would have been a relatively sane explanation!
I was compelled to create this slog, chronicling my efforts to figure it all out. I once wrote that deliberately creating a vacuum can leech out eurekas, and the blank white space I found myself in post-Chowhound - inexplicable and hermetic - presented one of the most potent vacuums any person has ever experienced. And I made hay. If you've ever wondered what conditions give rise to unusual levels of creativity and insight, the answer is: conditions you’d never want to experience! But to me, the most curious person in the world, powerfully confused about issues of creativity, perspective, and human thought-processes, it was worth it. Clarity, curiosity, exuberance!
So I harnessed my remaining exuberance - floating blithely on a perpetual yogic high and drawing from an unusually broad range of life experiences, with a perfect storm of oddball faculties and talents - and busily typed out these 2896 postings. I overshot, figuring out just about everything. Everything, that is, but how I got here. The path was murky and fragmented.
As I once observed, no one has ever driven from New York to Boston:
What did it all mean? "Meaning" is beside the point. We're not grand enough for our lives to mean something. As I wrote here,
I would never subject readers to mere sentimentality. I always have a higher reason - a spin I'm putting on the ball - and I always intend it to be useful or interesting or entertaining for others.For the past 10 days we've spelunked my childhood. I have keen memories of creating each of those paintings, essays, and micro-pranks. I remember the accompanying smells and sights and sounds. I recall my exuberance - the gleeful conviction that I was doing something special.
All the rest, I'd forgotten. I did not record the full frostiness of my teachers' reactions. I do remember cheekily amending my teacher's Thanksgiving note to my parents - and the gut-punched feeling that prompted it - but I'd always assumed I'd overreacted. I forgot how tart it really was. I'd forgotten, too, that my stuff was garnering Cs. I'd remembered Bs. But, no. Jesus. Cs.
So it was worse than I'd remembered. I've been severely underestimated all my life, but I thought it hadn’t gotten bad until much later. I figured my youthful cuteness had shielded me a bit. I recall my early teachers with visceral dread, but always figured I was over-sensitive. Now I see that I wasn't, and I admire his perseverance. Especially so because he was sensitive.
He had no idea how good his stuff was. I've often noted on this Slog that I was better, sharper, keener, clearer as a child, and that my goofy, stumbling adulthood has been a spotty effort to avoid embarrassing his legacy. But I didn't imagine I was actually producing worthy stuff back then. I knew it was special - that I was putting a certain distinctive spin on the ball - but never imagined it was actually any good!
I'm particularly surprised by the artwork. I was deemed to have zero artistic talent. I agreed with this, myself, at the time, recognizing that my output lacked the meticulous precision of more talented children.
But the talented children couldn't convey visceral impressions of horror or alarm or heat or unbridled exuberance. As an adult, I understand that viscerality is the whole point, far more so than fine points of careful draftsmanship. "Neatness" scores points only in elementary schools. But, alas, I was stuck in elementary school.
The teachers couldn't fully ignore my ability to fluently string words together, because there was precision there. So there was talk of how I'd become a writer. But even that praise was oddly backhanded, e.g. "I think we have a writer of sorts in our midst." C'mon, lady! Maybe go hog-wild and make it just "writer," period! Give the kid some inertia!
My impression of mediocrity has stuck with me to this day. And now that I'm actually looking at this stuff, I realize that I wasn't just showing potential. I was legit better then than now.
I lacked adult experience and skills and discipline, but the level of invested care - and the palpable result of that care in the output - was something I can't match now, as I painstakingly ply my various pursuits. I'll admit that I get good results most of the time now, but what you see on the page is a pittance compared to the humungous effort (see the video in that last link!). As a kid, I was far more efficient. 95% of my effort found its way into the result. Now it's more like 1%. These days, I shovel planets into building a hill, and take satisfaction in having conjured a righteous hill. Back then, it was planets in/planets out. No dilution. Lossless!
My superpower was exuberance. Unbridled exuberance, which throughout my youth was assessed as obnoxiousness, pushiness, and mania, among less polite terms. It didn't play well in a world packed with dreary, grim zombies. The soundtrack of Earth is Depeche Mode, while I’ve been bopping around to fun Ska. Having intruded with joyful exuberance, I've drawn perpetual fire as The Thing That Doesn't Belong. In a world of depressives, the last thing anyone wants is a compassionate, infectious offering of unbridled enthusiasm. Depression isn't a tragic deficiency of all that. It's a defiant recoiling from it. From me.
I once wrote a rebuke, 57 years in the making, to all those who've sneered at my exuberance. I made the case that it's not a question of my being manic, but of everyone else being sluggish. To me, they're on antidepressants (or ought to be), and frame their lives as a tedious grind. So bored and boring that anything interesting arising gets boiled, evaporated, and desiccated by their implacable numb ennui. As the persistent lively bit, I'm often construed to be the problem.
I still retain some lively exuberance, but not much. I was broken by age 12, and now I see why. It's not that I was sensitive, after all. It's that the beatdowns had commenced early, and support was sparse and grudging. Bearable for a grown-up; tough for a kid.
Note: this sounds bitterly self-pitying. No, I'm not that guy. In fact, that's the whole point! Even this dark material is viewed with exuberance, because I'm delighted to finally see clearly. Unfolding clarity feeds my immense curiosity and replenishes my ardor. Clarity/curiosity/exuberance, for me, is the magic formula. I feed on it while also playing it forward (I'm essentially an earthworm). A virtuous circle!Re-examining the photo sequence from my last posting:
By age 14, you can see that my lights had gone out a bit, my eyes reserving more than they’re offering: And, flashing forward to my touring musician days (age 26), I'd puckered into a jaded leering vampire with gaping larynx, deep eye bags, and "go fuck yourself" haircut:
34 years later, I seem an ashen husk, but proudly so.
I once described what I was like by the time I hit junior high:
I was a cynical, bitter little shit. I'd discovered early how cruel and ignorant people are. My family had trained me to view fellow humans as a contemptuous herd of stupid fucking assholes deserving neither respect nor sympathy, and this proposition was not a hard sell. I already bore scars from random cruelty, and had witnessed dishonesty, corruption, and antagonism gratuitously wielded even where truth, propriety, and kindness would have better served. At a very young age I was already fed up (and, shamefully - though predictably - beginning to display touches of needless cruelty of my own).This childhood spelunking has filled in critical background. I wasn't a sensitive mediocrity whining about insufficient praise. I was more talented and devoted than I'd realized, and the reception was frostier than I'd remembered. It helps to know this. I can forgive myself for not holding it all together with perfect aplomb, and for becoming what I'd become in junior high. I wasn’t close to monstrous, but I'd picked up some regrettable skew.
Fortunately, I course-corrected. At that juncture, something triggered inside, steering me toward yoga and meditation. I was too young to take classes or find gurus, so, as recounted in the same posting linked above, I devised my own spiritual practice, with unexpectedly transcendental results.
Then (also described in that posting) I eventually lost touch with those practices - and those results - for a long while, and my life fell apart (it's worse to know and to forget than never to have known), leading to a highly successful suicide in my mid-twenties which granted another reprieve. Another reset.
And finally there was, sigh, Chowhound. A few years in, I resumed - out of sheer desperation and deep survival instinct - my old yoga/meditation practice, engaging reset/reprieve #3. The stress of the final year, followed by my year at CNET, working for a sadistic and deranged boss, challenged even impregnable peace. There are pain levels able to penetrate the highest opium dosage.
Then I popped out of Chowhound and CNET into blank white space. A decade was a long time to have lost. Friendships don't easily resume. I was not remembered as a serious writer; just a zany food-obsessed musician. Having not touched my trombone in many years, I'd lost my ability to make even a sound. The gazillion journalists and media types who'd counted on me for pithy quotes on food news quit calling en masse, via a flocking process I still don't fathom. I wrote about it here:
I figured even if I wasn't helming Chowhound, I'd occasionally be called for a quote, or invited back to some of the dozen or so public radio programs where I was considered a "friend of the show". There'd be a trail-off, but it would be years before it all dried up.I tried to fight my way out of the blank white space. I tried to find work, writing to an old friend who was chief editor of a major food periodical, noting jocularly that Chowhound's readership had exceeded that of her own publication, and offering to write a column to attract fresh blood to her aging demographic. She responded weeks later with a short sloppy note, asking where I was playing trombone these days. My pitch hadn't merited a response. And she didn't say a word about Chowhound. It was like it had been my childish lemonade stand.
Nope. There were very few calls (I ignored most, being tired of acting the part of the whacky, food-crazy Chowhound), and, within two months, my phone went dead. It wasn't that word had spread about my going incommunicado; my contacts were far-flung and disconnected. Yet within just eight weeks, it was as if I'd never existed.
All doors shut in my face, so I spent years creating an app packed with every iota of my food knowledge and offering savvy, pithy guidance for approaching restaurants of most every cuisine. A few dozen people bought it. The hundreds of journalists who'd considered me a wizard (and/or an influence) completely ignored it (all but John Thorne).
I was ok through all this. Finally wise to the perils of dropping spiritual practices, I'd kept them up, so inner peace deflected any pain. So, again, I'm not offering this as bitter complaint. But the oddness of my experience did leave me curious. My life had made little sense. I almost wished I were paranoid, because a world deliberately scheming against me would have been a relatively sane explanation!
I was compelled to create this slog, chronicling my efforts to figure it all out. I once wrote that deliberately creating a vacuum can leech out eurekas, and the blank white space I found myself in post-Chowhound - inexplicable and hermetic - presented one of the most potent vacuums any person has ever experienced. And I made hay. If you've ever wondered what conditions give rise to unusual levels of creativity and insight, the answer is: conditions you’d never want to experience! But to me, the most curious person in the world, powerfully confused about issues of creativity, perspective, and human thought-processes, it was worth it. Clarity, curiosity, exuberance!
So I harnessed my remaining exuberance - floating blithely on a perpetual yogic high and drawing from an unusually broad range of life experiences, with a perfect storm of oddball faculties and talents - and busily typed out these 2896 postings. I overshot, figuring out just about everything. Everything, that is, but how I got here. The path was murky and fragmented.
As I once observed, no one has ever driven from New York to Boston:
We drive from NYC to the Bronx, and from the Bronx into Westchester, from there into Connecticut, then through a boring patch, possibly involving bathrooms and food. Then we drive to Sturbridge Mass to get on the Mass Pike. From there we might glide into Boston in more or less one swoop. But the drive, overall, is six drives, minimum, and more often 60 or 600. I defy you to get in a car in NYC and simply drive to Boston. You can't do it. You will lose the flow. It will fragment.Similarly, no one has led a single life. It's normally shattered into a billion pieces. But having weaved in this early chunk, the superstructure trawls into view. My life is becoming one thing.
What did it all mean? "Meaning" is beside the point. We're not grand enough for our lives to mean something. As I wrote here,
We don't live in cartoonish big-picture images, we live in trivial moments. This is not a movie. We're raindrops slowly working down windows, not heroic protagonists.And as I wrote here:
Life consists of a series of revisitations to tired cliches, certain with each new pass that we now really understand them. And so it is with Edison's "Genius is one percent inspiration, ninety nine percent perspiration." That quotation used to conjure up images of wild-eyed fanatics banging hammers in garages in the middle of the night. But it's just a matter of normal people blithely but indefatigably putting out. The Colorado River, etcher of the Grand Canyon, is just some shitty little river. The best among us are shitty little rivers. To me, that's what Edison was saying.Yet there are benefits to making your life one thing, even if it's nothing grand. Because the implacable truth is that you've always been you. Which means it’s you that has shattered, not your life. So, while I'm no Freudian - he was way too specific - one can relieve considerable latent confusion and subconscious stress and dread by twining the split ends back together. Clarity! Curiosity! Exuberance!
Monday, April 11, 2022
Sunday, April 10, 2022
Early Work: More Stuff
Visceral evocation of tremendous desert heat. Wavy and mirage-like, like a scene from Herzog's "Fata Morgana" (if you haven't seen it, do), with some Don Quixote vibe, as well (I knew nothing about Don Quixote at the time).
The giant sig was how I rolled back then. I started scaling back the whole "Big Me" thing at age 11, when I spent hours/day in meditation or frozen in exotic yoga poses.
The giant sig was how I rolled back then. I started scaling back the whole "Big Me" thing at age 11, when I spent hours/day in meditation or frozen in exotic yoga poses.
Saturday, April 9, 2022
Friday, April 8, 2022
Early Work: Future Transportation
Here is a booklet I produced in seventh grade (1974) on future transportation modalities. Consider my notes on page 3 for the car of the future:
If you suspect my parents maybe ought to have drowned me, I'd forgive you.
Grade? 81/100
- "Computer programs the traveling route so no driving is necessary."
- "Telephone runs by satellite communicator."
- "Rubber bumper, protects against crashes."
- "In-vehicle movies."
If you suspect my parents maybe ought to have drowned me, I'd forgive you.
Grade? 81/100
Thursday, April 7, 2022
Early Work: James the Catfish
My fourth grade report on catfish strikes me as gushing with interesting facts and tall tales.
Mrs. Shannon was unpersuaded.
Grade: "C"
Mrs. Shannon was unpersuaded.
Grade: "C"
Wednesday, April 6, 2022
Early Work: Scarecrow
My problems started way earlier than I realized.
I couldn't do better than this today. Willie Nelson would have paid good money for this lyric. But icy Mrs. Quarterman seemed to have found it lacking.
Age 7:
I couldn't do better than this today. Willie Nelson would have paid good money for this lyric. But icy Mrs. Quarterman seemed to have found it lacking.
Age 7:
Tuesday, April 5, 2022
Early Work: Archetypes and Fear Modulation
So this was some deep Joseph Campbell collective unconsciousness shit. Age 6:
Some sort of baby leaps up onto its bed to greet the new day as represented by the blank slate all-white window. To the side, an eerie but not-entirely-malignant lurking monolith.
On the reverse, no, I wasn't working blue. I just took very deeply to the notion that one could calculate lightning distance by counting the gap between flash and boom. I earnestly (and quite on my own) was working on ways to manage fear with knowledge.
He wrote this as a reminder to his future self. He's worried I'd forget this. As I go through ancient boxes, I find many such deliberate reminders. I've noted a bunch of them previously.
Some sort of baby leaps up onto its bed to greet the new day as represented by the blank slate all-white window. To the side, an eerie but not-entirely-malignant lurking monolith.
On the reverse, no, I wasn't working blue. I just took very deeply to the notion that one could calculate lightning distance by counting the gap between flash and boom. I earnestly (and quite on my own) was working on ways to manage fear with knowledge.
He wrote this as a reminder to his future self. He's worried I'd forget this. As I go through ancient boxes, I find many such deliberate reminders. I've noted a bunch of them previously.
Monday, April 4, 2022
Early Work: Fall Good and Bad
Alternate framings re: seasonal change. Fourth grade.
I wasn't just pointing out the obvious - that one can frame in different ways to reach sharply different conclusions. I was (and remain) fascinated with the framing process, itself.
The quirky negative construction in the second paragraph didn't really work (quotation marks around each phrase would have helped). But points for innovation.
I wasn't just pointing out the obvious - that one can frame in different ways to reach sharply different conclusions. I was (and remain) fascinated with the framing process, itself.
The quirky negative construction in the second paragraph didn't really work (quotation marks around each phrase would have helped). But points for innovation.
Sunday, April 3, 2022
Early Work: Halloween
Not sure it comes thru in the photo, but I find this elementary school Halloween painting legit terrifying:
Saturday, April 2, 2022
Early Work: First Professional Restaurant Review
Here's my first professional restaurant review, from March 1992 in NY Press. I improved after this, fortunately!
Friday, April 1, 2022
Early Work: First Restaurant Review
I've been going thru some of my older work, and found my very first restaurant review.
This was my contrib as a third-grader to my elementary school's literary (or whatever) magazine.
I didn't name the place, because I didn't want to flood it.
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