Thursday, February 8, 2018

Subject Time is NOT Time!

Yesterday, I wrote about a quandry:
When I listen to an actual piano smash, and pick out, say, "Ode to Joy", that happens over time. I can effortlessly speed it up or slow it down (which I suspect is a clue!), but the experience doesn't download instantly; it plays out internally over time, just as if the notes were individually played rather than tuned/framed. And if time exists, then change does happen, which unravels the whole observation and re-burdens us with the kludge that is time. It's a problem!

Can subjective shifts be construed as taking place outside time? Is time necessarily object-related? I suspect I need real math and physics to pin this down (or, perhaps, another few years stewing on the issue).

Time passes while you're thinking, for sure. Cognition is a physical process, involving chemical reactions and energy. But perceptual framing happens behind cognition. It's deeper. There's no judgement or calculation or tabulation or taxonomy involved. It's an utterly neutral shifting of the focus of attention. Does it happen in time?
I was just being dumb (it happens a lot).

Perceptual framing is instant. It can expand from microbe to Milky Way without the slightest latency. Whenever there is latency (e.g. reframing from Depressed Rumination World back to Worldworld...or from Worldworld to Absolute Reality - aka enlightenment), it's just because certain framings/tunings become habitual, making alternatives slow-budging. But once we do make the flip, it always happens instantly.

The instant-on solidity of framing is seen by considering the optical illusion below. You can see either faces or a chalice, but not both simultaneously. A given framing is quite solid - the possible framings never interact with each other. Until we relax ("let go"!) enough to develop easier control of the reframing, one or the other image might stubbornly endure. But the transition, when it happens, is instant, no? No fade, no blur. If you'll pay careful attention, you'll notice that the reframing is positively otherworldly. It's not like thought, it's not like a movie's not quite like anything else.

The optical illusion is like a fragmentary piano smash. The options (in this case, only two) pre-exist, and perceptual framing "in here" makes a choice, yielding the impression of change "out there".

Since there's no latency, even at vast scale, perceptual framing happens faster than light speed. This means it's outside time - indeed, outside this universe, whose rules preclude anything faster than light. And this checks out. If framing "traverses" (for lack of a better term) the multiverse, it must occur beyond all worlds (for a personal sense of this beyond-ness, consider, once again, The Fan).

Reframing happens outside time, because time is a concept deduced from Worldworld in order to describe Worldworld. Framing is beyond concept, and beyond worlds. It's a neutral shutter, and shutter speed "in here" does not/can not correlate with time passage as we conceive it "out there" (which is, for instance, why we can effortlessly speed up or slow down the tempo of "Ode to Joy" within a piano smash).

Not perfect, but close....

A year later, I connected it to epiphany and inspiration.

No comments:

Blog Archive